Shot list for our prelim task
Scene No.
|
Shot Letter
|
Location
|
Shot Description
|
Framing
|
Action
|
Dialogue
|
Actors
|
Props
|
Notes
|
1
|
A
|
Corridor
|
Close-Up
|
Feet only
|
Still camera
|
N/A
|
Harry Preen
|
N/a
|
Needs
to keep the same pace for other shots.
|
1
|
B
|
Corridor
|
Mid-shot from
front
|
Victim walking
away
|
Still camera
|
N/A
|
Harry Preen
|
N/a
|
Walks in a
straight line.
|
1
|
C
|
Corridor
|
Dutch-angle shot
from the behind
|
Victim walking
away
|
Camera pans to the
left
|
N/A
|
Harry Preen
|
N/A
|
Shows the victim
as vulnerable
|
1
|
D
|
Office
|
Mid-close up of
the killer sitting in a chair from behind
|
The Killer sitting
in a chair
|
Camera pans to the
right
|
N/A
|
Felix Rouch
|
Chair
|
Fade to black in
between this and the next shot
|
1
|
E
|
Corridor 2
|
Medium close up of
victim opening the office door
|
The victim’s hand
reaching out to the door.
|
Camera pans to the
right
|
N/A
|
Harry Preen
|
The door handle
|
|
1
|
F
|
Corridor 2
|
Close up of the
victims hand on the door handle
|
Just the hand and
the handle are in view
|
Still Camera
|
N/A
|
Harry Preen
|
Door Handle
|
|
1
|
G
|
Office
|
Medium close up of
the victim walking in to the room
|
Just the victim in
shot with the background of the room
|
Still Camera
|
N/A
|
Harry Preen
|
N/A
|
Going forward use
fast-cut editing
|
1
|
H
|
Office
|
Over the shoulder
shot of the killer from behind the victim
|
Focus point is the
killers reaction to the victim in the room
|
Still Camera
|
N/A
|
Harry Preen, Felix
Rouch
|
The chair the
Killer rotates in
|
Fade to white to
the next shots using fast cut editing
|
1
|
I
|
Office
|
Two-shot of the
killer and the victim
|
The victim has a
marker so he knows where to stand so the killer can turn to him
|
Still camera
|
N/A
|
Harry Preen, Felix
Rouch
|
Banana as a gun
(for comic effect)
|
The screen fades
to white with fast cut editing, there will be a non-diegetic sound put in at
this
|
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